Zeytinburnu K\u00fclt\u00fcr-Sanat Merkezi\u2019ndeki \u201c\u015eiirimizde 90\u2019lar\u201d adl\u0131 seminerde 90\u2019l\u0131 y\u0131llar \u015fiirinin \u00f6nemli temsilcilerini ve kitaplar\u0131n\u0131 konu\u015fan \u015eair Ali Emre, \u201c80\u2019ler \u015fiirinde so\u011fuk bir olgunluk, k\u0131r\u0131lganl\u0131k, estetizme fazla ko\u015fullanm\u0131\u015f bir eda vard\u0131. 90\u2019lar \u015fiiri ise biraz daha canl\u0131yd\u0131 fakat o da da\u011f\u0131n\u0131kt\u0131.\u201ddedi.<\/p>\n
Seminere 90 \u015fiirinin baz\u0131 temel \u00f6zelliklerini hat\u0131rlatarak ba\u015flayan Ali Emre, bu d\u00f6nem \u015fiirinin farkl\u0131 \u015fair profillerine de sahne oldu\u011funu s\u00f6yledi. 90\u2019larda biraz da ilgin\u00e7 bir \u201cben\u201d duygusu ve alg\u0131s\u0131yla, herkesin kendi yetene\u011finin, birikiminin, g\u00fcc\u00fcn\u00fcn pe\u015finden gitti\u011fini dile getiren Emre; \u201cBu, ortam korkusunun a\u015f\u0131lmas\u0131nda ve g\u00fc\u00e7 merkezlerinin sars\u0131lmas\u0131nda etkili ve yararl\u0131 oldu. Yava\u015f yava\u015f bir paradigma de\u011fi\u015fimi ya\u015fanmaya ba\u015flad\u0131. \u015eiirin hem akt\u00f6rleri, hem okuyucular\u0131 hem de i\u00e7eri\u011fi, s\u00f6zl\u00fc\u011f\u00fc ve \u015fah\u0131slar kadrosu de\u011fi\u015fim emareleri g\u00f6sterdi.\u201d tespitini yapt\u0131. <\/p>\n
\u201c\u015e\u0130\u0130R, ETK\u0130L\u0130 VE S\u00dcRE\u011eEN B\u0130R \u2018BAYRAK YARI\u015eI\u2019 \u0130\u00c7\u0130NDE OLAMADI\u201d<\/span><\/p>\n 90\u2019lardan itibaren \u201c\u015fiir kontrolden \u00e7\u0131kt\u0131\u201d, \u201c\u015fiirin manip\u00fclasyonu zorla\u015ft\u0131\u201d gibi s\u00f6zlerin daha s\u0131k duyuldu\u011funu s\u00f6yleyen Ali Emre; \u201c\u00c7\u00fcnk\u00fc halk\u0131n kontrol\u00fc de bu y\u0131llarda zorla\u015ft\u0131. K\u00f6kle\u015fmi\u015f odaklar, cepheler, kabuller sars\u0131lmaya ba\u015flad\u0131.\u201ddedi. \u015eair Emre, s\u00f6zlerine \u015fu tespitlerle devam etti:<\/p>\n \u201c80\u2019ler \u015fiirinde so\u011fuk bir olgunluk, k\u0131r\u0131lganl\u0131k, estetizme fazla ko\u015fullanm\u0131\u015f bir eda vard\u0131; 90\u2019lar \u015fiiri ise biraz daha canl\u0131yd\u0131 fakat da\u011f\u0131n\u0131kt\u0131. Yine de hem dikkate de\u011fer ki\u015fisel \u00e7abalar hem de bir s\u00f6ylem geli\u015ftiren, bir sistem getirmeye \u00e7al\u0131\u015fan \u015fairler, \u00f6bekler vard\u0131. \u015eiir, etkili ve s\u00fcre\u011fen bir \u2018bayrak yar\u0131\u015f\u0131\u2019 i\u00e7inde olamad\u0131 elbette. Herkes yar\u0131\u015f\u0131 kendince yeniden ba\u015flatt\u0131, bu y\u00fczden bayrak, ileriye \u00e7ok fazla g\u00f6t\u00fcr\u00fclemedi. Bunun sonucu olarak 2000\u2019li y\u0131llarda, dergilerde toplanma ve k\u00fc\u00e7\u00fck \u00f6bekler olu\u015fturma zorunlulu\u011fu do\u011fdu. Doku ve kan uyu\u015fmazl\u0131\u011f\u0131na, miza\u00e7 \u00e7at\u0131\u015fmalar\u0131na, yanl\u0131\u015f yol ve yolda\u015f se\u00e7imlerine ra\u011fmen par\u00e7a do\u011frular, par\u00e7a g\u00fczellikler, kanona, stat\u00fckoya teslim olmayan isimler \u00e7\u0131kard\u0131 90\u2019lar \u015fiiri.\u201d<\/p>\n Ali Emre, genel tespitlerin ard\u0131ndan g\u00f6rseller e\u015fli\u011finde 90\u2019l\u0131 y\u0131llar \u015fiirinde \u00f6ne \u00e7\u0131kan \u015fairler ve kitaplar \u00fczerinde durdu. Bu \u015fairler ve kitaplar hakk\u0131nda \u00f6zet bilgiler verdi, \u00f6nemli noktalar\u0131n alt\u0131n\u0131 \u00e7izdi. Az say\u0131da \u015fair ve kitapla yetinmek zorunda kald\u0131\u011f\u0131n\u0131 belirten Emre, ba\u015fka birinin ba\u015fka isimler ve kitaplar \u00fczerinde durmas\u0131n\u0131n da m\u00fcmk\u00fcn oldu\u011funu belirtti. <\/p>\n Ali Emre\u2019nin kitaplar\u0131yla birlikte s\u00f6z\u00fcn\u00fc etti\u011fi \u015fairler aras\u0131nda; \u201cAli K. Metin, Y\u00fccel Kay\u0131ran, S\u00fcleyman \u00c7obano\u011flu, \u00d6mer Erdem, Cevdet Karal, Metin Kaygalak, \u0130brahim Tenekeci, Ali Ay\u00e7il, H\u00fcseyin Ak\u0131n, Ahmethan Y\u0131lmaz, Selim Temo, Mehmet Can Do\u011fan, Celal Fedai, H\u00fcseyin Ak\u0131n, Hakan Arslanbenzer, Ahmet Murat, Hakan \u015earkdemir, Murat G\u00fczel, Baki Ayhan T., Mustafa Muharrem, \u015eeref Bilsel, Suavi Kemal Yazg\u0131\u00e7, Osman \u00d6zbah\u00e7e, B\u00fclent Ata, Mehmet Ayc\u0131, B\u00fcnyamin K.\u201d gibi isimler vard\u0131. <\/p>\n \u0130lerleyen g\u00fcnlerde 90\u2019larda yazmaya ba\u015flayan kad\u0131n \u015fairlerle ilgili \u00f6zel bir program yapmak istedi\u011fini belirten Ali Emre, program\u0131 soru-cevap fasl\u0131yla sona erdirdi.<\/p>\n","protected":false},"excerpt":{"rendered":" Zeytinburnu K\u00fclt\u00fcr-Sanat Merkezi\u2019nde \u201c\u015eiirimizde 90\u2019lar\u201d seminerini ger\u00e7ekle\u015ftiren \u015eair Ali Emre, \u201c80\u2019ler \u015fiirinde so\u011fuk bir olgunluk, k\u0131r\u0131lganl\u0131k, estetizme fazla ko\u015fullanm\u0131\u015f bir eda vard\u0131. 90\u2019lar \u015fiiri ise biraz daha canl\u0131yd\u0131 fakat o da da\u011f\u0131n\u0131kt\u0131.\u201ddedi.<\/span><\/p>\n","protected":false},"author":1,"featured_media":10889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"acf":[],"yoast_head":"\n